The long-awaited nervousness movie stars one of the crucial most worthy names in Hollywood, including Leonardo DiCaprio, Jennifer Lawrence and Meryl Streep.

It centres on two astronomers who are trying desperately to warn the field’s decidedly uninterested media of a comet that’s about to hit Earth and abolish all existence.

But while some judge it be the most efficient ingredient since sliced bread, others beget criticised it for being two hours and 25 minutes of smug drivel.

Nonetheless, that’s now not affected its efficiency, with millions of oldsters tuning in since its open final month.

And in step with reports, the movie modified into watched for a complete of 152,290,000 hours globally between 27 December and just a few January, a document for the streaming dwelling.

Don't Look Up was reportedly watched for 152,290,000 hours globally between 27 December and 2 January. Credit: Netflix
Don’t Look Up modified into reportedly watched for 152,290,000 hours globally between 27 December and just a few January. Credit: Netflix

To position that into some roughly context, the nearest challenger to Don’t Look Up is Sandra Bullock’s new movie The Unforgivable, which boasts 21,310,000 hours viewed.

Reacting to the impressive stat, the film’s director, Adam McKay, talked about: “I’m straight up flabbergasted by this.”

But as I talked about, the film’s reception has been quite divided.

Whereas it has been broadly praised for its now not-so-delicate message about the possibility of us all ignoring the specter of climate alternate, as a share of cinema, things beget been quite more hit and omit. 

On Hideous Tomatoes, which aggregates opinions to provide viewers quite of an overall consensus, the film has a fairly mediocre critics’ ranking of 54 percent – in accordance with a complete of 239 opinions. 

The movie has a star-studded cast, including the likes of Leonardo DiCaprio, Jennifer Lawrence and Meryl Streep. Credit: Netflix
The movie has a superstar-studded solid, including the likes of Leonardo DiCaprio, Jennifer Lawrence and Meryl Streep. Credit: Netflix

As ComicBook.com reports, this marks the most major ‘injurious’ film that DiCaprio has starred in since Baz Luhrmann’s The Huge Gatsby encourage in 2013, which had a 48 percent ranking. 

The years in between beget seen some of DiCaprio’s most efficient work, with 2013’s The Wolf of Wall Facet road (79 percent), 2015 flick The Revenant (78 percent), and As soon as Upon a Time… In Hollywood in 2019 (85 percent) – all licensed ‘new’ by the dwelling. 

That eight-year a success ride handiest no doubt equates to some movies, however there’s no denying that they’re all faithful’uns. 

Don’t Look Up, meanwhile, hasn’t been met with such serious acclaim, with Rolling Stone reviewer David Frear concluding: “Don’t Look Up is a blunt instrument in lieu of a spirited razor, and while McKay may perchance per chance perchance just imagine that we’re long previous subtlety, it doesn’t suggest that one man’s wake-up-sheeple howl into the abyss is comic, or insightful, or even watchable.”

Leonardo DiCaprio stars as an astronomer trying to warn people of an incoming comet. Credit: Netflix
Leonardo DiCaprio stars as an astronomer looking for to warn other folks of an incoming comet. Credit: Netflix

James Berardinelli from ReelViews wrote: “Despite a to-die-for solid and a apparently cannot-omit premise, Don’t Look Up is a failure on too many levels and, even supposing the viewing numbers may perchance per chance perchance just satisfy Netflix, it be a shock to head trying this kind of high-profile film self-destruct.”

That talked about, now not the total critic opinions were detrimental, with Us Weekly’s Mara Reinstein relating to the film as ‘so-spirited-it-hurts satire that skewers our most new insist of politics, technology and celeb tradition all by intention of the context of an asteroid headed to Earth’. 

Anton Bitel from In discovering & Sound additionally talked about the ‘faithful, crass, scattergun comedy’ is person that ‘fairly reflects the age of distraction being so grimly centered’.

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